TOP 5 Best Mirrorless Camera 2024

The ideal choice is the mirrorless camera that best meets your demands. It is clear from examining a large range of mirrorless cameras that there isn’t a single, all-encompassing solution. As a result, our pick highlights the variety of mirrorless cameras on the market, ranging from flagship hybrids to cost-effective stills cameras. Regardless of expertise level or budget, we have tried to offer the finest choice for any type of photographer.

If we had to choose one overall winner from our thorough testing, it would be the Nikon Z6 III, a mid-range full-frame hybrid with remarkable 6K video capabilities, a gorgeous EVF, quick burst shooting rates, precise subject detection AF, and Nikon’s sturdy, reliable construction. But it can be more or less than you require.

TOP 5 Best Mirrorless Camera 2024

1.Nikon Z6 iii

We weren’t prepared for the magnitude of the improvement that Nikon’s third-generation Z6 III would bring. It has a number of noteworthy improvements over the Z6 II that also give it the advantage over formidable competitors like the Canon EOS R6 II and the Sony A7 IV, which is overdue for an upgrade. These improvements include better subject detection autofocus, a 3.5x faster “partially stacked” sensor that lessens rolling shutter, up to 120 frames per second burst shooting with pre-capture, Nikon’s best-ever EVF, a gorgeous 5.76m-dot unit with dazzling 4,000 nits of brightness, and the DCI-P3 color gamut.

The extent of the improvement that Nikon’s third-generation Z6 III would provide astounded us. It is also superior to strong rivals such as the Sony A7 IV, which is long overdue for an update, and the Canon EOS R6 II thanks to a number of notable upgrades over the Z6 II. Better subject detection autofocus, a 3.5 times faster “partially stacked” sensor that reduces rolling shutter, pre-capture burst shooting up to 120 frames per second, Nikon’s best-ever EVF, a stunning 5.76m-dot unit with dazzling 4,000 nits of brightness, and the DCI-P3 color gamut are just a few of these improvements.

The Z6 III’s video specifications are excellent; it can record 6K video at up to 60 frames per second in-camera, oversample 4K raw, standard 4K at 120 frames per second, and 10x slow motion at up to 240 frames per second in Full HD. The record time of 120 minutes is noteworthy as well, even without a cooling fan. The now-less expensive Z6 II can still be a good choice if you don’t take many action shots or videos.

2.Canon EOS R10

The 2018 Rebel T7 SLR’s spiritual successor is Canon’s low-cost EOS R100 mirrorless camera. Although this 24MP crop-sensor model is much more powerful than the earlier model and does a good job with the fundamentals of image, its autofocus and video engines appear outdated when compared to more modern mid-entry options. Budget-conscious consumers can still purchase the Panasonic Lumix G7 for about the same price as the EOS R100, even though no recent camera in this class has won our Editors’ Choice award. Despite having a smaller 16MP Micro Four Thirds sensor, it is a superior option for novice photographers due to its vari-angle touch screen, extensive lens library, and improved video capabilities.

Canon maintains a modest feature set for the EOS R100 in order to justify its starting price of less than $500. Without a lens, the compact, light body measures around 3.4 by 4.6 by 2.7 inches (HWD) and weighs 12.6 ounces. I don’t expect dust and splash protection from an inexpensive interchangeable lens camera (ILC), and the R100 doesn’t change that. However, the R100’s fixed, non-touch LCD is a disadvantage because I do expect a touch screen on most cameras.

Its internal 24MP cropped CMOS sensor has a focus mechanism that allows it to distinguish faces and eyes exclusively in humans. Despite not being state-of-the-art, the autofocus technology proved to be dependable and practical throughout testing. The video capabilities of the R100 lag further.

3.Sony Alpha 7R V

Though they both use the same 60MP image sensor, the Sony a7R V has many improvements over the a7R IV. To give the impression of a speedier camera, the Mark V uses more potent image processors, including a dedicated chip to operate its AI-trained autofocus system, and provides snappier reaction. Both a great EVF and a redesigned body style with a clever tilting display are winners and help to explain the $400 price hike. The a7R V, our Editors’ Choice winner for high-resolution cameras, is a worthwhile investment if you can afford it.

Sony is following its own example with the a7R V, reusing the sensor from the previous generation but also making the camera vastly superior. The strategy mirrors what it did with the a7R II and III. The third-generation a7R reused the 42MP sensor from the a7R II, but put a better battery and autofocus into the body; the a7R III was the first in the series to hit 10fps.

The progression from the a7R IV to the V is comparable. Both have a similar body design and are based on the same 60MP BSI CMOS sensor, albeit the new camera has certain improvements. The a7R V weighs 1.6 pounds without a lens and measures 3.8 by 5.2 by 3.2 inches (HWD), which is standard for a full-frame model.

Sony offers the body in a matte black finish, while the chassis is made of magnesium alloy. In addition to offering dust and splash protection, the a7R V also has the ability to shut off the shutter when changing lenses. It’s an attempt to address sensor dust, which is a very prevalent issue with mirrorless cameras, many of which do not protect the image sensor.

The a7R V incorporates many of the subtle design changes first seen in the 33MP a7 IV from last year. These include an unmarked control dial in place of the dedicated EV control. It’s still used for EV by default, but you can more easily swap its function if you prefer a different interface. A dedicated Stills/Movie/Slow Motion toggle is new as well; it’s nested under the Mode dial. Other top plate controls include a video Record button and one of several configurable buttons, C2.

4.Panasonic Lumix S5 II

The Panasonic Lumix DC-S5 II is the successor to the DC-S5, which is still on sale and is one of our favorite entry-level full-frame cameras. The second edition features an integrated cooling fan for long-form video recording, as well as a brand-new phase detection focusing mechanism. Although the much-anticipated focus technology isn’t as dependable as we had hoped for moving subjects, we find little fault with the camera’s video capabilities. Although rivals like the Sony a7 IV and Canon EOS R6 Mark II are more suited for any kind of action, the S5 II is still a good value if your main needs are for still photos and video projects.

With a few minor adjustments, the Lumix DC-S5 II’s body style is almost exactly the same as the original. It weighs 1.5 pounds and measures 4.0 by 5.3 by 3.6 inches (HWD), which is standard for a full-frame camera. Both the proportions and manufacturing quality are comparable to rival models such as the R6 Mark II (3.9 by 5.4 by 3.5 inches, 1.3 pounds) and the A7 IV (3.8 by 5.2 by 3.1 inches, 1.4 pounds). For this price, we anticipate that the magnesium alloy chassis will have dust and splash protection.

Later this year, the S5 IIx, a second model of same camera, will be available for It features a high-end body design with blacked-out logos and integrated ProRes recording capabilities to a USB-C SSD and the ability to output Raw video via HDMI. A upgrade is available to add Raw support to the regular S5 II, but not ProRes.

With Leica, Sigma, and Panasonic lens alternatives available for the L-mount system, you have a good number of options. After expanding its I Series Contemporary, Art, and Sports lines, Sigma in particular has an impressive catalog. Support is also provided by outside producers with expertise in movie lenses, such as Sirui and Venus Optics.

The handgrip is somewhat larger this time around for improved balance with heavy lenses, but Panasonic didn’t make many significant design modifications for the S5 II. However, if you are upgrading from the original, there isn’t much of a learning curve because the control buttons and dials are all in the same location.

5.Canon EOS R7

One of the greatest cameras available is the Canon EOS R7, which is also the best model in the camera giant’s EOS R line for amateur photographers who also enjoy shooting video.

It combines Canon’s most recent Dual Pixel CMOS AF II autofocus system with quick 15 fps burst-shooting capabilities (or even 30 fps when using its electronic shutter), placing it between vintage DSLRs like the Canon EOS 7D Mark II and EOS 90D. Although it costs more than the Canon EOS R10, many people will find that the R7’s two card slots, deeper buffer, in-body stabilization, and higher-resolution 32.5MP sensor make up for the difference.

The EOS R7 features an APS-C sensor, in contrast to Canon’s full-frame cameras. Although these can’t collect as much light as the full-frame sensors seen in cameras like the Canon EOS R6, they do bring a few benefits – including a smaller, lighter overall camera system and a lower price tag.

The EOS R7 is now Canon’s flagship APS-C camera since it offers an amazing array of features for its price. You receive in-body image stabilization (IBIS), which helps maintain image quality when you’re shooting handheld, unlike the EOS 90D. Along with a good array of video-shooting features, such as microphone and headphone interfaces and the capacity to record uncropped 4K/60p footage, you also get two UHS-II card slots.

The EOS R7 is among the greatest mirrorless cameras because to its many features, which make it impossible to compete with Canon’s full-frame models, which use the same RF-mount. Because there are presently just two native RF-S lenses for the EOS R7’s sensor, this mount is also the camera’s biggest flaw.

An 18-150mm lens is one of these ‘all-rounder’ that comes available in a package with the EOS R7, with the other being an 18-45mm f/4.5-6.3 kit lens. Other than these two lenses, you have two choices when it comes to optics – use existing full-frame RF lenses, or use either EF or EF-S lenses via the optional EF-to-RF adapter. Neither solution is ideal for keeping things on the light and small side, but hopefully as the system ages, it will also grow to include more options.

The EF-M mount is used by Canon’s “other” APS-C mirrorless system, which you may already be familiar with. There is no method to install lenses from this system using an adapter, and they are incompatible with the APS-C models of the EOS R series. Canon has not yet publicly acknowledged that it would no longer produce EF-M models. The EF-M series has most likely come to an end with the release of the EOS R7 and EOS R10.

The EOS R7 is a great all-arounder except from its small selection of native lenses. Wildlife, action, and sports photographers will love it because it can shoot at up to 30 frames per second and has Canon’s newest focusing technology. The crop sensor will also let you get closer to the action with your long lenses.

How to choose the best mirrorless camera for you

While now is a terrific time to purchase a mirrorless camera, the options are a little bewildering. Photographers and videographers have never had more options because to an explosion in selection from companies like Canon, Sony, Nikon, Fujifilm, Panasonic, and a revitalized Olympus, available at all price points.

So where should we begin? The nature and shooting style of a camera may frequently be inferred from its sensor size. Professional and enthusiastic amateur models will use an APS-C chip, which is somewhat smaller than a full-frame sensor. While not nearly as portable as cameras with Four Thirds sensors (from Panasonic and Olympus), the latter are often more compact and less expensive than full-frame cameras.

Electronic viewfinders (EVFs) are another crucial component to consider; although they increase the price, they are almost a need for most photographers. It’s important to think about the type of lenses you’ll require.

If you like to focus on a certain region (such as macro or wide-angle architecture), make sure the system you’re considering has the features you need. Fujifilm has a large selection of options at most focal lengths for crop-sensor APS-C cameras, whereas Sony currently has the most options in the full-frame mirrorless market.

Q. Mirrorless or DSLR: what’s the difference?

Since the introduction of the first mirrorless cameras, there has been much discussion about mirrorless vs DSLR cameras. The greatest option for you will always be your own, even though the majority of manufacturers are currently concentrating on packing mirrorless models with the newest technology. There are a few significant differences between the two formats, but our in-depth mirrorless vs. DSLR comparison should help you choose which is best for your purposes.

Similar to DSLRs, mirrorless cameras let you swap out lenses. However, they don’t use a mirror to focus light onto the sensor within, in contrast to DSLRs. Rather, the sensor receives and processes light immediately. Compared to a standard DSLR, they can be made smaller because they don’t require a large mirror. More potential shutter speeds also result from not having a mirror to move.

The viewfinder is the other significant distinction. Mirrorless cameras either employ an electronic viewfinder or force you to compose using their rear screen, whereas DLSR cameras use an optical viewfinder to aid with scene framing. The former is no longer a deal-breaker because modern EVFs are bright and sharp, providing you with a realistic preview in real-time together with the benefit of data readouts. However, the latter can be problematic in bright settings.

Initially, mirrorless cameras had smaller sensors than DSLR cameras, but a variety of full-frame and APS-C mirrorless devices are now available. This indicates that there is no discernible difference in image quality between the top mirrorless and DSLR cameras.