After many hours of testing, we’ve concluded that the best mirrorless camera is the one that meets your needs and price range. We’ve made an effort to include the best option for each category of photographer in the recommendations below, from flagship hybrids to entry-level stills cameras.
Our personal choice from our extensive testing is the Nikon Z6 III. We consider it to be among the best Nikon cameras due to its features and performance, which include accurate subject detection autofocus and robust 6K specs. We are aware that it may be more or less than you require, though.
This article was created to help you easily find truthful information while choosing which mirrorless camera to purchase. Every model has been shot by us to get a genuine understanding of how they feel and perform in a range of photography scenarios. You’ll find the results summarized here, explaining exactly what makes these mirrorless cameras worthy of a recommendation.
1.Canon EOS R50
While the majority of consumer mirrorless cameras are similar in design, the EOS R50 has a unique feature set: a compact camera with high performance. Despite its excellent autofocus technology and good picture quality, the R50 feels a little too small for its size. We believe the Canon EOS R10 is more ergonomically sound, and we appreciate that it does not exclude 4K60 footage, although you may disagree if your palms are smaller. In contrast, the Editors’ Choice winner for mirrorless cameras under, the Fujifilm X-T30 II , completely adopts a hands-on control philosophy.
Canon’s most recent effort at creating a compact mirrorless camera is the EOS R50. With very minor modifications, both its form and functionality are largely similar to those of the EOS M50 Mark II. The R50 is almost the same size as the older model (3.5 by 4.6 by 2.3 inches, 13.7 ounces), but it weighs slightly less at 13.2 ounces and measures 3.4 by 4.6 by 2.7 inches (HWD).
Naturally, Canon has mostly abandoned the EF-M lens system on the M50 in favor of the R50’s RF mount. It’s hardly a match made in heaven, either, as not many of the RF library’s lenses fit it well in terms of size. Even the RF 35mm F1.8 Macro IS STM, which is standard in size, seems a bit large.
Canon offers a few zooms designed specifically for APS cameras, but it’s obvious that the company anticipates that R50 buyers would use full-frame lenses if they require a zoom longer than the included RF-S 18-45mm F4.5-6.3 IS STM ($799 including the camera) or the RF-S 55-210mm F5-7.1 IS STM that completes the two-lens kit . The single step-up option, the RF-S 18-150mm F3.5-6.3 IS STM, retails for on its own. However, Canon reused the optical formula for the RF-S 18-150mm from the EF-M version, so it may eventually release more lenses from that brief system. Regretfully, EF-M lenses cannot currently be used with RF-mount cameras.
The current selection of the best lenses for the R50 is a little disappointing, and vloggers and real estate photographers may have legitimate concerns about the absence of an ultra-wide RF-S zoom. As was the case with its enduring EF and EF-S lines for SLR cameras, only time will tell if Canon pays attention to RF-S or depends primarily on full-frame lenses. Further limiting choices is the lack of third-party support, at least for autofocus lenses. But if you’re looking for an entry-level consumer camera only to record family occasions, the kit lenses and maybe the inexpensive RF 50mm F1.8 STM would suffice.
Pros
24MP APS-C imaging
Fantastic autofocus with subject recognition
Cons
mall buffer hampers 12fps burst rate
2.Olympus OM-D E-M10 Mark IV
It’s easy to ignore the E-M10 Mark IV, but if you’re searching for a compact, stills-focused camera, it’s one you should give careful thought to. Over the years, Olympus has meticulously improved this model, maintaining a strong emphasis on capturing stunning images. It is in a different league than other pocket cameras and smartphones thanks to its five-axis in-body image stabilization, 3-inch flip-down touchscreen, and 20MP Micro Four Thirds sensor. This is an excellent choice if you’re a novice or an enthusiast wishing to advance in your photography career.
The Olympus OM-D E-M10 Mark IV is a straightforward, small mirrorless camera for beginners, despite its complicated moniker. This camera should definitely be on your list if you’re a novice or an avid photographer searching for a small body that produces consistently beautiful images.
Granted, the E-M10 Mark IV lacks some of the more sophisticated capabilities that its more expensive competitors boast about, such as microphone and headphone ports, 4K/60p video, and phase-detection autofocus. However, it performs admirably as a stills camera capable of capturing brief but high-quality video when required. It’s also among the best inexpensive cameras available at the moment, making it an excellent choice for travelers who have already spent all of their money on airfare.
This entry-level camera’s goal is to entice smartphone shooters to switch to an interchangeable lens camera with its user-friendly button arrangement and Bluetooth/Wi-Fi combination. It also boasts one of the largest lens selections available for a Micro Four Thirds (MFT) camera.
Even though Panasonic and Olympus invented the Micro Four Thirds system, a variety of businesses currently make high-quality, reasonably priced lenses for cameras that are compatible with the system. This makes it an excellent system to purchase for novices.
This camera’s exceptional in-body image stabilization (IBIS) is one of its main advantages. This is the same mechanism that powers Olympus’s acclaimed flagship E-M1 series, and it’s a great way to take handheld pictures at slower shutter speeds.
Olympus’ response to cameras such as the Sony ZV-1, Fujifilm X-T200, and Panasonic Lumix G100 is the E-M10 Mark IV. It also succeeds in making a statement with its superb IBIS system, ultra-compact body, and traditional OM-D style. While the 20MP resolution won’t make headlines, it’s a noticeable and welcome improvement over the 16MP sensor on its predecessor and keeps it competitive.
Although the E-M10 Mark IV is a fantastic entry-level camera for novices, we would also suggest it to more seasoned shooters on a tight budget or those wishing to switch from DSLRs. Although it doesn’t have the same battery life or image quality as more expensive mirrorless cameras or DSLRs, it might be a fantastic choice for a backup or reconnaissance camera.
Pros
Capable 20MP sensor
Impressive image stabilization
Cons
No microphone input
3.Sony ALPHA 6400
The Sony a6400 isn’t the brand’s most glamorous or eye-catching camera release in recent memory; instead, the company’s full-frame lineup is the main source of excitement. However, not everyone requires or desires a large sensor. Presently found in the majority of consumer cameras, the APS-C format offers a good compromise between size, image quality, and depth of field control. The newest model in Sony’s APS-C mirrorless lineup has several characteristics with its more expensive brothers. It deserves our Editors’ Choice award because it’s a good replacement for the a6300.
If you want an APS-C camera with in-body image stabilization (IBIS), Sony wants you to upgrade to the a6500. Although the a6500 is already a few years old and lacks the sophisticated focusing technology of the a6400, it is still a respectable performer, if not the best in its class.
There is a hot shoe, an EVF, and an in-body pop-up flash on the camera. All three aren’t always included in mirrorless cameras. Experts may laugh at the compact pop-up strobe, but for the straightforward reason that it is hinge-mounted, it is unquestionably an improvement above the flashes found in consumer SLRs. This implies that you can create softer, more uniform illumination by pulling it back with your finger and bouncing light off the ceiling.
Look at the above side-by-side comparison; the flash was focused forward in the photo on the left, while it was pointed toward the ceiling in the shot on the right. Although it’s a bit of a hack (you can’t lock the flash to bounce in place), gaffer tape can help you remember to keep the flash pointing up if you find yourself using it often.
A certain amount of weather protection exists. The a6400 is just weatherproof, according to Sony, and it is “not guaranteed to be 100 percent dust and moisture proof.” Put simply, you can shoot with the a6400 outside during less extreme precipitation, but avoid using it during blizzards or monsoons. It will also be beneficial if you use a full-frame (FE) lens, as they offer weather sealing that standard APS-C (E) lenses do not.
The good news is that there hasn’t been any noticeable change to the physical controls if you’re considering upgrading from an a6300. With the exception of the button to unlock and unmount the lens, the camera does not have any front buttons. On the right side are all of the top controls. The On/Off switch is slightly angled and sits atop the handgrip, encircling the shutter release. The programmable C1 button is located next to it.
There are two dials behind them. The typical shooting modes, including manual and automatic, can be selected via the Mode dial. Comparing this to the a6300, there are a few modifications. The a6400 substitutes the two distinct dial positions for the two accessible custom settings of the a6300 and provides access to MR, which allows you to recall one of three saved banks of settings.
Pros
Compact build
24MP APS-C image sensor
Cons
Omits in-body image stabilization
Flip-up screen not ideal for vloggers
4.Sony ZV-E10
A logical infill in Sony’s range is the ZV-E10. With its movable screen, enhanced mics, and small form factor, this vlogging-focused camera is a potent little video tool that also produces amazing images. The ZV-E10 has three key limitations: it doesn’t have a touch menu system, it has a considerable rolling shutter when panning, and it doesn’t support 4K capture at 60p, which is uncommon for this price. If you can get past those restrictions, though, you’ll discover a reasonably priced hybrid with good audio options that focuses on videos.
Do you recall the days when Sony cameras didn’t even come with an articulating screen for vloggers? Though it debuted recently, the Sony ZV-E10 is the most recent in a rising series of video-focused Sony cameras that addresses this drawback and bridges the gap between its entry-level (Sony ZV-1) and mid-range (Sony A6100) models.
Sony’s lightweight design of the ZV-E10 allows it to fit in a kit bag and on the hand more compactly than, say, an A6100. The lack of a viewfinder and flash makes it smaller, but Sony makes up for it with an enlarged microphone grille on top of the camera, which improves sound recording.
Along with having a completely articulating screen, the ZV-E10 also has connectors for a microphone and headphones, which are absent from its A6000-series siblings. Despite the fact that this all begs for video, the 24MP sensor has many drawbacks, most notably the well-known jelly effect while panning. Similar to the A6100, which it largely matches in terms of internal specifications, run-and-gun camera operators who enjoy forceful pans may find the camera unsuitable due to its rolling shutter.
For Sony users searching for a cheap studio B cam, interview camera, or something to keep connected to their computer, the ZV-E10 remains a strong option thanks to its convenient USB-C tethering for direct streaming to PC, extra audio port, and video-oriented design. The ZV-E10 is made of also a clear step up over the ZV-1, and costs less than half the price of the full-frame Sony A7C, so makes sense in the context of Sony’s other cameras.
In the event that you are not entirely convinced about Sony, you might be better off investing a little bit more money and choosing a Panasonic GH5 Mark II for 4K/60p capture, or even a Blackmagic Pocket Cinema Camera if you are more of a filmmaker and don’t want stills capture. If you have a lot of Canon lenses, the Canon EOS M6 Mark II, which is almost the same price as the ZV-E10, would be a better choice with the appropriate adaptor.
Other than that, nothing beats the ZV-E10 for the price if you’re looking for a small, mirrorless Sony camera with a flip-out screen for recording and the ability to tolerate some wobbles in your panning clips. Additionally, it has a superior on-body microphone than others performance, and a headphone jack, making it a perfect alternative to the A6100, even if it isn’t quite a perfect camera. It’s also one of the best YouTube cameras you can buy right now.
Pros
Compact size
Articulating screen
Great autofocus
Cons
Rolling shutter while panning
5.Canon EOS R100
Canon’s 2018 Rebel T7 SLR’s spiritual successor is the entry-level EOS R100 mirrorless camera. This 24MP crop-sensor model is much more powerful than the previous entry and does a great job with the fundamentals of photography, but when compared to more modern mid-level options, its video and focusing systems seem archaic. While there isn’t a new camera in this class that we would recommend, consumers on a tight budget may still acquire the Panasonic Lumix G7 for around the same cost as the EOS R100. Despite having a lower 16MP Micro Four Thirds sensor, it is a better option for beginning photographers due to its extensive lens library, vari-angle touch screen, and superior video capabilities.
Canon maintains a limited feature set for the EOS R100 in order to justify the device’s starting price below $500. Without a lens connected, the compact and light body measures approximately 3.4 by 4.6 by 2.7 inches (HWD) and weighs 12.6 ounces. I don’t expect dust and splash protection from an inexpensive interchangeable lens camera (ILC), and the R100 doesn’t do anything to break that pattern. But most cameras I use these days come with a touch screen, so the R100’s fixed, non-touch LCD is a letdown.
Its 24MP cropped CMOS sensor, along with a focus mechanism that facilitates face and eye detection for people exclusively, powers the device internally. While not state-of-the-art, the autofocus technology proved to be dependable and helpful throughout testing. But the R100’s video functions are even more antiquated. For instance, it locks you into 24 frames per second at 4K with a significant cut and a sluggish, contrast-detect focus.
For beginners, Canon offers the R100 along with a few kit lenses as a bundle. The camera is available for 9 with the RF-S 18-45mm F4.5-6.3 IS STM or with both the 18-45mm and the RF-S 55-210mm F5-7.1 IS STM. A few compact RF lenses from Canon’s portfolio work well with the R100, such as the superb RF 28mm F2.8 STM , though many of its other optics are larger and more expensive.
The RF 28mm and the aforementioned kit alternatives work well together in testing, but larger telephoto lenses and bright primes are difficult to use with the R100’s small handgrip. Should you wish to employ larger optics, the somewhat larger EOS R10 (3.5 by 4.8 by 3.3 inches, 15.1 ounces) is more adaptable.
If you’ve used a mirrorless camera or digital SLR from Canon, you should be familiar with the control layout of the R100. The top plate’s Mode dial allows you to switch between several creative capturing modes, Automatic, Aperture, Manual, Program, and Shutter. An On/Off switch is integrated into the side of the dial, and the top controls consist of the video Record button, the shutter release, and the single exposure control dial.
Pros
Small and light
Clear, crisp viewfinder
Cons
Omits in-body charging
Fixed LCD lacks touch support
How to choose the best mirrorless camera
While now is a terrific time to purchase a mirrorless camera, the options are a little bewildering. Photographers and videographers have never had more options because to an explosion in selection from companies like Canon, Sony, Nikon, Fujifilm, Panasonic, and a revitalized Olympus, available at all price points.
So where should we begin? The nature and shooting style of a camera may frequently be inferred from its sensor size. Professional and enthusiastic amateur models will use an APS-C chip, which is somewhat smaller than a full-frame sensor. While not nearly as portable as cameras with Four Thirds sensors (from Panasonic and Olympus), the latter are often more compact and less expensive than full-frame cameras.
Electronic viewfinders (EVFs) are another crucial component to consider; although they increase the price, they are almost a need for most photographers. It’s important to think about the type of lenses you’ll require.
If you like to focus on a certain region (such as macro or wide-angle architecture), make sure the system you’re considering has the features you need. Fujifilm has a large selection of options at most focal lengths for crop-sensor APS-C cameras, whereas Sony currently has the most options in the full-frame mirrorless market.
Why are mirrorless cameras better?
Is a DSLR superior than a mirrorless camera? Read our guide on Mirrorless versus DSLR cameras to learn more about the many advantages and disadvantages of each type.
Undoubtedly, mirrorless cameras provide greater options. There are essentially just two major contenders in the DSLR market: Canon and Nikon. If you decide to go with a mirrorless camera, you have access to a far wider selection of manufacturers. Canon, Panasonic, Fujifilm, Sony, Olympus, and Leica are just a few of the companies that provide a variety of cameras to fit a variety of budgets.
All of the main camera manufacturers currently have something to brag about, and their most recent models are sufficiently unique from their competitors to make them stand out in some manner.
Even though it would have been extremely simple to choose ten expensive models to include in our ranking of the best mirrorless camera, we have also made an effort to include some more reasonably priced choices. Although these devices may not have an abundance of functions, they are nevertheless excellent choices for novice users and those on a tight budget. Having said that, check out our top advice for beginners using mirrorless cameras if you’re specifically searching for one at a low cost.
Discover the top mirrorless cameras available on the market right now by reading on, regardless of whether you want a better camera than the one on your smartphone or a sophisticated, high-end one to inspire even more creativity.